Saturday, March 19, 2011

Many Books on Doubt and Ambiguity

Needless to say much ink has been spilt for thousands of years regarding the issues of doubt and ambiguity. Job curses the day of his birth. The psalmist says his bones are in agony. Hamlet’s many soliloquies bespeak the gnawing inside of him. Raskolnikov grows physically sick toiling over matters of murder and meaning. As Prince Andrei lies mortally wounded on the battlefield, he stares up at the sky and contemplates existence and thoughts of home flood his consciousness. Roquentin is surrounded by people yet he feels sick with loneliness among other things. There are numerous other fictional people to add to the list, but what do all these fictional people indicate about the nonfictional world of people? Of course, a glance at historical contexts and myriads of reasons and causes will surface. It might be said that books grieving over existential doubt and ambiguity are induced by a trifling interest. It might be said that many people continue reading such books out of curiosity. However, generally speaking, I think there are other reasons.

These fictional people were squeezed out of their authors as if squeezed out of grapes in a wine press. The grapes endured great suffering but for great result. Stanley Hauerwas said that we would lose something if Dostoevsky had lived today and we made him a psychologically “well adjusted person.” So perhaps doubt and ambiguity are not thoroughly evil.

A rudimentary observation will likely note that doubt and ambiguity are described with rather vague metaphors. This seems true and with good reason. Metaphors seem to capture what plain language cannot. Dark-grey clouds hang low overhead, and they suggest an imminent storm. The air grows thick and bursts of light flash through the sky. With a smile and a nod, the trapdoor falls and the rope grows taunt. Choking and kicking of feet. Then calm. The feeling of existential doubt may be vague, but it is certain. This is a reason for the use of metaphor. The metaphor may be slippery and difficult to pinpoint, but it is apt.

Again, why the fascination with such existential wallowing as doubt and ambiguity? As of yet, I have only mentioned these issues as expounded by the ink on innumerable pages. It may be that many have tasted the bitterness and then read Dostoevsky, and said, “Is it true? I am not the only one who has tasted this fruit?” I will wager a guess that so much ink has been spilt on the same issues because these issues are not merely interesting but they are unshakable and intrinsic. For these reasons, at least in part, much ink has been spilt and will continue to be spilt. As long as we humans continue to live outside the garden, we will continue to spill ink and to wallow and to groan and to read the ink that has been spilt.

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